Contemporary

Anisha Saxena

A study of the Shikharbandhi Jain Derasar at Potters Bar and the Jain Centre in Leicester

I received the Jain Art Fund Award for the year 2010-2011 and it was for a period of one month. The primary purpose of this award was to enable students in India to access Jaina collection of the V&A and other museums and libraries in England, but in my project I wanted to stretch the limitations of the award and include research on Jain diaspora in England. I was particularly interested in recording and collecting material on Jain migration myths and histories and to conduct research on the temple building rituals among the Jain diaspora in England.

Nandini Ghosh

Contemporary arts in Bengal: modernity and status

This grant was helpful in preparing a convincing research proposal for the doctoral programme at the Faculty of Fine Arts, the M S University of Baroda. Subsequently I was engaged in documentation works towards the study. The research experience also gave me the confidence to handle the ambitions and take part in a major art exhibition - Art of Bengal, Past and Present - a joint venture with the Centre of International Modern Art, Kolkata.

Suresh Jayaram

A study of Hebbar and his contemporaries

This award was given to me when a student in MS University Baroda. It was timely and helped me to be more articulate by using photographs, travelling to Mumbai to meet the late K K Hebbar. My document was the first critical assessment of the artist and was published in Bangalore (where I was then Lecturer at Chritakala Parishath, in the local language Kannada.

Karni Singh Jasol

Analytical study of museum education in Indian museums

I received the grant soon after completing my masters in museum management from the MS University of Baroda. The award came at the right point in my career. It gave me an opportunity to travel to important Indian museums and understand the status of museum education; my theoretical knowledge of museology was augmented by observing practical working of state and national museums. It also gave me an opportunity to interact with museum professionals from important Indian museums.

Jyoti Mehta

Living Art of Rajasthan & Uttar Pradesh

This award motivated and helped me to explore the art and cultural heritage of small folk pockets of Rajasthan & UP. I was pursuing my Masters in History of Art when I got this award. The classroom studies provide us with a theoretical know how of any subject. To get involved and understand the practical significance and importance of arts and culture in rural areas one has to deeply interact with the local habitats.

J R Asokan

Comparative study of museum display and its interpretation by visitors

This award was very useful in the development of Chennai district museums. I had the chance to see some important museums in India and by seeing the display arrangements and interpretation techniques my knowledge was increased. I had the chance to apply this knowledge in newly opened museums.

Vibha Singh Chauhan

The construction of indigenous gods and linkages with the communities of eastern Uttar Pradesh

The award of a Small Study and Research grant proved invaluable for me for reasons probably different from many others. I was not a young scholar but a university teacher in mid-career, and had developed a serious academic interest in an area that was not directly related to my formal discipline of English literature. My independent readings in sociology, anthropology and history, along with my travels in the Indian countryside had opened the fresh arena of the creation and continuation of village gods as an intergral part of cultural existence in India.

Soumhya Venkatesan

To study the mat and silk weaving traditions of Pattamadai village and Kanchipuram town in Tamil Nadu

I would like to thank the Trustees for their timely and generous awards. In the year following my Cambridge M Phil I returned to India  and was given a second grant to conduct ethnographic research among weaving communities. This work formed  a pre-PhD pilot study and I returned to Cambridge in 1996 to commence work on my PhD entitled  "Crafting discourse: mat weaving in Pattamadai, South India". I was awarded the PhD in 2002.

Soumhya Venkatesan

The process and results of the commercialisation of Warli tribal Painting

I would like to thank the Trustees for their timely and generous awards. The first award allowed me to conduct research among the Warli tribe in Maharashtra and to write up the results of this research for my MA dissertation at the National Museum Institute in Delhi. After my MA and spurred on by my work on the Warlis I moved to Cambridge (UK) in 1994 to do an M Phil in Social Anthropology.The M Phil was funded by a Cambridge ODASS award. I subsequently took a PhD on matweaving in South India at the University of Cambridge and now teach at the University of Manchester.