Painting

S Vasanthi

Study of Rock Paintings in Tamil Nadu

The grant allowed me to undertake fieldwork and to visit the sites once again to explore particular questions about the rock paintings. It is proposed (2001) to publish a book on this subject.

Suresh Jayaram

A study of Hebbar and his contemporaries

This award was given to me when a student in MS University Baroda. It was timely and helped me to be more articulate by using photographs, travelling to Mumbai to meet the late K K Hebbar. My document was the first critical assessment of the artist and was published in Bangalore (where I was then Lecturer at Chritakala Parishath, in the local language Kannada.

Deepra Abhijit Dandekar

Study of the Pithora paintings by the Rathwas of Chhota Nagpur

I had been wanting to work on the Pithora paintings made by the Rathwas as a part of their religious traditions. The award enabled me to supplement library work with empirical fieldwork. This enabled me to develop a perspective on the social and religious belief patterns of the community. It will also help me in conducting further comparative research.

Nandini Ghosh

Contemporary arts in Bengal: modernity and status

This grant was helpful in preparing a convincing research proposal for the doctoral programme at the Faculty of Fine Arts, the M S University of Baroda. Subsequently I was engaged in documentation works towards the study. The research experience also gave me the confidence to handle the ambitions and take part in a major art exhibition - Art of Bengal, Past and Present - a joint venture with the Centre of International Modern Art, Kolkata.

Ratna Sharma

Study of Mithila Painting

From the very beginning I was planning to gain a knowledge of the layers of Mithila painting, especially its relationship with other practices of folk-art. I was, and still am, of the opinion that Mighila painting is a living tradition which is supported by many other folk practices of the region. Its history, myths, usefulness, sociology, social significance, ritual normative patterns, hidden philosophy and last, but not least, the creativity of the women who paint, are very important factors to know.

Chandrahasa Bhat

An internship to study the latest techniques relating to the conservation of paintings at the Hamilton Kerr Institute, Cambridge University.

My internship in the paper conservation department at the Hamilton Kerr Institute at the University of Cambridge was really interesting and exciting. It is not an exaggeration if I sawy it is a well equipped conservation studio with highly experienced conservators. My aim was to learn some advanced techniques implemented in conservation, mainly on Indian miniature paintings and western paintings on paper. I was looking for various techniques on consolidation, lining of paper paintings, relaxing of cockled and wrinkled paintings, filling of missing areas and mounting techniques.

Nandita

European influences in Mughal painting and decorative arts

The award helped me in the collection of photographs and reading materials and in accessing original manuscripts easil from various museums and libraries in India and thus increasing the value of my study.  I subsequently took up a PhD in the same subject at the National Museum Institute. 

Asiya Shervani

Prehistoric cave art of the Bhimbetka complex

The grant was received after I had completed background research on this project and was ready to go for my first field trip, an essential part of any archaeological research project. It allowed me to carry out fieldwork in Bhimbetka, Madhya Pradesh,  and adjoining areas. This was my first field trip and had an enormous impact on my career in Archaeology. It formed the basis of my study and helped me to crystallize my ideas. After receiving this award I have continued with my research and documentation work on other sites in similar geographical settings.

Dr Maruti Nandan Tiwari

Study of Jaina sculptures and paintings in UK Museums

Several new ideas and materials which emerged through the research in the UK collections helped me in my future researches. The award widened my knowledge and mental horizons.

Dr Atul Chandra Bhowmick

Tribal wall painting of West Bengal

The grant allowed me to develop my interest in tribal culture and society and painting, and to photographically document tribal art. It will be published by the Council of Cultural Growth and Cultural Relations Cuttack. The grant gave me self-confidence in fieldwork; I use the research in teaching and have inspired colleagues in the subject.

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