Nehru Trust Awards

Nehru Trust Awards

The Trust aims to achieve its mission by making it possible for scholars and professionals from India and the UK to develop and share skills relevant to these subjects and to gain access to Indian cultural resources both in India and in the UK.

The Trust’s primary activity is an annual awards programme for individual scholars and museum professionals from both countries in order to enable them to study, carry out research or undertake training in both India and the UK. The awards programme is announced each autumn; awards are made in late March and must be taken up within the subsequent year (1 April to 31 March).

The Trust also administers grants on behalf of the V&A Jain Art Fund, and works in collaboration with the Charles Wallace India Trust with whom it offers an annual joint UK Visiting Fellowship.

 

Dr Sunjay Jain

Museological Developments in the UK

To make an analytical study of museum practices in Britain and assess their relevance to the Indian context

R Balasubramanian

Amaravati marbles: Study and Care

The Government Museum, Chennai holds a very significant collection of sculptures, in particular the sculptures from the Buddhist site of Amaravati. I took up the Fellowship in November 2000 in order to see the collection of Amaravati sculptures in the British Museum and to learn about display and conservation techniques. I learned from the British Museum how they had refurbished the Hotung and Asahi Shimbun galleries. The British Museum has conserved all the Amaravati sculptures and then mounted them on steel frames supported by treated rubber cushions.

Dr Damayanti Datta

Bilingual intelligentsia? Linguistic exchange in 19th Century Bengal

Research on the diffusion of English language and the rise of the bilingual intelligentsia of 19th century Bengal, at the British Library and other UK institutions

Dr Buddha Rashmi Mani

Study of terracotta and clay objects of the Kushan Period (1st to 4th century AD)

I am grateful to the Trust for awarding me the Fellowship to study Kushan terracottas in the museums in the UK at the appropriate time when I was excavating sites such as Kanishkapura and Ambaran (Akhnur) in Jammu and Kashmir related to the Kushan period - particularly the latter which is famous for earlier yields of typical Akhnur Buddhist terracotta heads.

Nicholas Barnard

The Early Garden in India

Mark Elliott

Community and Identity in Calcutta

Research into the use of the Indian Museum in Calcutta as a focus of community and individual identity

Dr Jennifer Anne Howes

Mackenzie Collection Exhibition Research

Fieldwork in connection with research on the Mackenzie Collection

Colin Mackenzie (1754-1821) was the first Surveyor General of India. During his time in India he collected drawings of monuments, sculptures, people, animals and anything else that caught his interest.

The Mackenzie collection holds 1,680 drawings, made over more than 30 years. It is the largest single collection of British drawings in the Prints, Drawings and Photographs Section of the British Library's Asia, Pacific and Africa Collections.

T M Sarafoji

A monograph on Sendalai temple, Thanjavur

This grant enabled me to do several things. It allowed me to cover many places on my fieldwork and to meet the costs of photography. A basic idea on inscriptions became my main thrust and focus. This led to studying one temple in detail, and I got the opportunity to examine different dimensions of its structure and organisation.

Anuda Jagdish Geetali

To study the headless goddess in the Indian pantheon

Ratna Sharma

Study of Mithila Painting

From the very beginning I was planning to gain a knowledge of the layers of Mithila painting, especially its relationship with other practices of folk-art. I was, and still am, of the opinion that Mighila painting is a living tradition which is supported by many other folk practices of the region. Its history, myths, usefulness, sociology, social significance, ritual normative patterns, hidden philosophy and last, but not least, the creativity of the women who paint, are very important factors to know.

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